Platform

Compare

Publishers comparison slice.

Reader surface

Publishers comparison slice.

Factor
AngryPages Baseline
Amazon KDP / Kindle
IngramSpark
Apple Books
Audible / ACX
Penguin Random House
Hachette Book Group
Macmillan
Insights
  • They won't email/write back
  • We publish fast!
  • Pick
  • I buy books off them
  • Good luck with a deal!
  • I bet "safe work" is sold there!
  • We can Eleven Labs your voice.
  • We can play audio of your work
  • Higher rejection rate than Harvard?
  • We wish you the best of luck
  • You can try get published
Pricing
  • We're Free to publish with ads
  • EBooks pay up to 70% royalty in eligible territories, otherwise 35%
  • Delivery fees apply on 70% tier
  • At $10k ebook sales
  • About $7,000 at 70%
  • $3,500 at 35%, before delivery fees
  • Bulk print discounts start at 100 copies
  • IngramSpark's public examples show a 200-page 6x9 paperback at $4.17 per copy for 0-99
  • $3.75 for 500-999
  • At $10k retail
  • About $2,415 before other costs
  • Apple Books pays 70% royalties on ebooks across price points
  • At $10k ebook sales
  • Roughly $7,000
  • ACX's public standard model shows up to 40% exclusive or 25% non-exclusive, with $100-400 PFH narration budgets
  • ACX's August 2025 early-access royalty model says 50% exclusive or 30% non-exclusive
  • At $10k sales
  • About $4,000 exclusive
  • $2,500 non-exclusive on standard ACX
  • No public self-serve author price
  • PRH says it will never seek a fee from an author
  • If a deal happens, the money is usually advance plus royalties rather than a posted rate card
  • At $10k sales
  • Roughly $1,000 hardcover royalty
  • $2,500 ebook net receipts before advance offsets
  • No public self-serve author price
  • Hachette says it does not consider unsolicited manuscripts
  • If a deal happens, the money is usually advance plus royalties rather than a posted rate card
  • At $10k sales
  • Roughly $1,000 hardcover royalty
  • $2,500 ebook net receipts before advance offsets
  • No public self-serve author price
  • Macmillan says it does not accept unsolicited submissions
  • If a deal happens, the money is usually advance plus royalties rather than a posted rate card
  • At $10k sales
  • Roughly $1,000 hardcover royalty
  • $2,500 ebook net receipts before advance offsets
Deal
  • We offer 80% of sales, and 50/50% of ads
Primary job
  • Score: 9/10
  • Living archive with paid reading and ongoing expansion
  • Score: 6/10
  • Sell finished ebooks and print-on-demand books
  • Score: 6/10
  • Distribute print books widely
  • Score: 6/10
  • Sell finished ebook editions in the Apple ecosystem
  • Score: 6/10
  • Sell/listen to finished audiobooks
  • Score: 6/10
  • Acquire, edit, package, and sell finished books at trade scale
  • Score: 6/10
  • Acquire, edit, package, and sell finished books through major imprints
  • Score: 6/10
  • Acquire, edit, package, and sell finished books through major imprints
Archive depth
  • Score: 9/10
  • Built for a long record that keeps expanding
  • Score: 3/10
  • Strong for finished editions, weak for a living archive
  • Score: 8/10
  • Strong for book distribution, not for a living archive
  • Score: 3/10
  • Strong for finished editions, weak for a living archive
  • Score: 3/10
  • Strong for finished audio editions, weak for a living archive
  • Score: 3/10
  • Strong for finished editions and backlist scale, weak for a living archive
  • Score: 3/10
  • Strong for finished editions and backlist scale, weak for a living archive
  • Score: 3/10
  • Strong for finished editions and imprint backlists, weak for a living archive
Search and browse
  • Score: 9/10
  • Browse the archive itself
  • Score: 5/10
  • Store browse for products
  • Score: 5/10
  • Distribution channel, not a reader archive surface
  • Score: 5/10
  • Store browse for products
  • Score: 5/10
  • Store browse for products
  • Score: 5/10
  • Publisher catalog plus retailer/storefront discovery
  • Score: 5/10
  • Publisher catalog plus retailer/storefront discovery
  • Score: 5/10
  • Publisher catalog plus retailer/storefront discovery

Access and proof

Publishers comparison slice.

Factor
AngryPages Baseline
Amazon KDP / Kindle
IngramSpark
Apple Books
Audible / ACX
Penguin Random House
Hachette Book Group
Macmillan
Paid access
  • Score: 9/10
  • Paid reading lives inside the archive itself
  • Score: 7/10
  • Clean for discrete products
  • Score: 7/10
  • Clean for discrete physical products
  • Score: 7/10
  • Clean for discrete products
  • Score: 7/10
  • Clean for discrete audio products
  • Score: 7/10
  • Clean for editions, not for archive layering
  • Score: 7/10
  • Clean for editions, not for archive layering
  • Score: 7/10
  • Clean for editions, not for archive layering
Proof and receipts
  • Score: 9/10
  • Proof can sit beside the archive entry points
  • Score: 3/10
  • Proof usually sits outside the storefront product page
  • Score: 3/10
  • Proof usually sits outside the distribution layer
  • Score: 3/10
  • Proof usually sits outside the storefront product page
  • Score: 3/10
  • Proof usually sits outside the storefront product page
  • Score: 5/10
  • Press, blurbs, and publicity exist, but not as an archive-receipts product
  • Score: 5/10
  • Press, blurbs, and publicity exist, but not as an archive-receipts product
  • Score: 5/10
  • Press, blurbs, and publicity exist, but not as an archive-receipts product

Writer business

Publishers comparison slice.

Factor
AngryPages Baseline
Amazon KDP / Kindle
IngramSpark
Apple Books
Audible / ACX
Penguin Random House
Hachette Book Group
Macmillan
Rights and control
  • Score: 9/10
  • Archive business, rights posture, and reader relationship stay close
  • Score: 3/10
  • Better than big-publisher deals in some cases, but still store-first for the finished product
  • Score: 4/10
  • Distribution-first, not Story-first
  • Score: 3/10
  • Store-first finished product relationship
  • Score: 3/10
  • Store-first finished product relationship
  • Score: 5/10
  • High-status lane, but rights, timing, and packaging are negotiated away from the writer
  • Score: 4/10
  • Publisher-first release structure with negotiated rights and timing
  • Score: 4/10
  • Publisher-first release structure with negotiated rights and timing
How likely they are to buy it
  • Score: 9/10
  • Certain if you decide to publish there
  • the gate is your own standards and execution
  • Score: 7/10
  • High if the files are clean and the book clears policy
  • The gate is technical and legal more than editorial
  • Score: 5/10
  • High if the print files and metadata are professional
  • It is distribution, not taste-based acquisition
  • Score: 7/10
  • High if the files, account, and metadata are clean
  • The gate is platform compliance more than selective acquisition
  • Score: 5/10
  • Moderate to high if the audio is professionally produced and policy-safe
  • Production cost is the real gate
  • Score: 4/10
  • Very low
  • Biggest-house gate: usually agented, highly selective, and strongest when the manuscript or platform already looks breakout-ready
  • Score: 4/10
  • Very low
  • Usually agented, imprint-fit, and selective
  • market signal and category fit matter a lot
  • Score: 4/10
  • Very low
  • Usually agented, imprint-fit, and selective
  • a clear commercial angle or strong platform helps a lot
Earnings reality
  • Score: 9/10
  • No guaranteed advance, but the long-term upside can be highest if the archive compounds and you keep the reader relationship
  • Score: 5/10
  • Best direct-unit upside here: eligible ebooks can pay up to 70%, but earnings can still be tiny if demand never shows up
  • Score: 5/10
  • Useful for print reach, but earnings are whatever is left after print and distribution costs
  • It is not magical income by itself
  • Score: 4/10
  • Strong ebook split at 70%, but the audience pull is usually smaller than Amazon's
  • Score: 5/10
  • Up to 40% exclusive or 25% non-exclusive, but narration costs can eat the first wave of revenue
  • Score: 5/10
  • Advance first, then royalties only if the book earns out
  • Standard large-publisher guidance is 10/12.5/15% hardcover, at least 7.5% trade paperback, and 25% of net on ebooks
  • Ceiling can be big
  • median author income is still modest
  • Score: 5/10
  • Advance first, then royalties only if the book earns out
  • Standard large-publisher guidance is 10/12.5/15% hardcover, at least 7.5% trade paperback, and 25% of net on ebooks
  • Rights and breakout sales decide the real upside
  • Score: 5/10
  • Advance first, then royalties only if the book earns out
  • Standard large-publisher guidance is 10/12.5/15% hardcover, at least 7.5% trade paperback, and 25% of net on ebooks
  • Most writers do not get rich from one deal
Example if gross sales are $10,000
  • Score: 9/10
  • If the sale is direct, most of the gross can stay with AngryPages before payment processing, tax, printing, shipping, and fulfilment
  • Score: 5/10
  • Roughly $7,000 at the 70% ebook tier before delivery fees, or about $3,500 at the 35% tier
  • Score: 5/10
  • Using a $20 list, 55% wholesale discount, and $4.17 print cost, about $2,415 is left before other costs
  • Score: 5/10
  • Roughly $7,000 on ebook sales at the 70% royalty rate
  • Score: 5/10
  • About $4,000 exclusive or $2,500 non-exclusive on ACX's public standard model
  • the early-access model says about $5,000 or $3,000
  • Score: 5/10
  • If that figure is hardcover list-price sales, roughly $1,000 at a 10% entry royalty
  • if it is ebook net receipts, about $2,500
  • Score: 5/10
  • If that figure is hardcover list-price sales, roughly $1,000 at a 10% entry royalty
  • if it is ebook net receipts, about $2,500
  • Score: 5/10
  • If that figure is hardcover list-price sales, roughly $1,000 at a 10% entry royalty
  • if it is ebook net receipts, about $2,500
Best role beside AngryPages
  • Score: 9/10
  • Archive home first
  • Score: 5/10
  • Finished edition lane after the archive exists
  • Score: 5/10
  • Print-distribution lane after the archive exists
  • Score: 5/10
  • Finished digital edition lane after the archive exists
  • Score: 5/10
  • Finished audio edition lane after the archive exists
  • Score: 5/10
  • Big-finish edition lane once the archive and audience already exist
  • Score: 5/10
  • Trade-publisher lane for a focused finished book
  • Score: 5/10
  • Trade-publisher lane for a focused finished book
Sources / References Public references and access dates for the pricing row. Rates can vary by market, plan, and offer.